1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),   Related Paintings of Henri de toulouse-lautrec :. | Salon at the Rue des Moulins | Women in a Brothel | | The Dance | Aristide Bruant in his Cabaret |
Related Artists:
Jozef Chelmonski
(November 7, 1849 - April 6, 1914) was a Polish painter. Chełmoski was born in the village of Boczki near Łowicz in central Congress Poland, Russian Empire. His first drawing teacher was his father (a small leaseholder and administrator of Boczki village). After finishing high school in Warsaw, he studied in Warsaw Drawing Class (1867-1871) and took private lessons from Wojciech Gerson. From 1871 to 1874 Chełmoski lived in Munich. He worked with Polish painters assembled around Jozef Brandt and Maksymilian Gierymski. He also had studied for a few months at the academy of H. Anschutz and A. Strahuber. In 1872 and 1874 Chełmoski visited the Polish territories. Tatra Mountains and Ukraine. His first paintings were done under the influence of Gerson. The works that followed were landscapes and villages. In 1875 Chełmoski went to Paris, where he had many important exhibitions and became known to the art scene. With many orders, the artistic level of his paintings decreased. From 1878 to 1887 Chełmoski visited Poland, Vienna and Venice. In 1887 he returned to Poland and in 1889 settled in Kuklewka Zarzeczna village. Contact with his homeland and nature revealed quality in his artworks. From that time are the best liked Chełmoski's paintings such as Partridge on the Snow, The Storks or Before Thunderstorm.
St Edmundsbury Borough Council
painted Rose Mead; Barbara Stone in1940
MICHELI Parrasio
Italian painter, Venetian school (before 1516 - 1578) Italian painter and draughtsman. The natural son of a Venetian aristocrat, Salvador Michiel, he pursued his early training in the workshop of Titian and later in his career was associated with Paolo Veronese, who provided him with drawings for his paintings. He is known to have been in Rome before 1547. Micheli's earliest work is an altarpiece depicting the Virgin and Child with SS Lorenzo and Ursula (1535; Murano, S Pietro Martire), which was commissioned by Ursula Pasqualigo in memory of her deceased husband, the former Procurator Lorenzo Pasqualigo. There is also a Venus and Cupid (c. 1547; London, priv. col.) and a Lucrezia (c. 1547; London, Mond col.). In 1550 he married the daughter of a German baker. Several documented paintings have been destroyed or are untraced: the painting of Doge Lorenzo Priuli Accompanied by Ten Senators with Personifications of Fortune and Venice (1563), for which he received 225 ducats, was destroyed in the fire in the Doge's Palace of 1574. The work is known from a preparatory study (Berlin, Kupferstichkab.) and a contract of 22 October 1563. Five paintings known to have been in the Libreria Marciana that same year are also untraced. The large painting depicting the Adoration of the Dead Christ (Venice, S Giuseppe), signed and dated parrhasio Micheli dipinse nel 1573, includes a self-portrait. Micheli also painted portraits of Venetian noblemen (e.g. Girolamo Zane, Venice, Accademia; Tommaso Contarini, Venice, Doge's Palace) and associated with prominent men of letters including Paolo Giovio and Pietro Aretino.